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His a-bit-out-there style, though not unlike Kenny Garrett’s, plus Hart’s more pounding drumming style give this version of Rapture a harder edge than that on Moon Alley, where drummer Ralph Peterson focuses more on the Latin groove. On Rapture, the album opener, Berg has the opening solo. In fact Scofield’s guitar is one of my favorite things about the album.Īll the compositions on Stories are Harrell’s, and they are all interesting. “Phil, Bill, and I”, says Steve Gilmore, “were never influenced by fads, or by the different kinds of music that came in and out of style.” But Harrell came from a different place and was open to all sorts of possibilities. “We always play acoustic jazz,” George Robert proudly told Dan Morgenstern. Besides his old H Silver bandmate Bob Berg on tenor saxophone, Danish citizen and Berklee-educated Niels Lan Doky on piano, Ray Drummond on bass, and Billy Hart on drums, he uses John Scofield’s electric guitar on several tracks. Notably, Harrell plays flugelhorn exclusively on Stories. Be that as it may, the album is a major event in Harrell’s career. I might take minor exception to that by recalling Moon Alley - I don’t know about its revenue, but certainly in its place in jazz history I think of Geert Teekens’s Criss Cross as a “major” label. Ken Franckling (who has generously shared his memories with me and who has an excellent jazz blog) says in his liner notes for Stories that this is Harrell’s first major label album as leader. Harrell, in a characteristically dark outfit, looks like he could be the villain.
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I have to say I find Stories’ black and white album design, as it appears full size on the vinyl, spooky! The shadows are downright menacing, as if from an old German Expressionist horror film. I feel it would be good if I try to use it to the fullest, in terms of writing as much as I can and practicing.” Harrell, in liner notes to Sail Away Stories
He made me see my talent in a little better perspective. Phil made me more aware that I have a gift. But I wanted to spend more time writing and thinking about a concept. They each employ a different and equally outstanding collection of A-list musicians. These were studio sessions, intended to give full scope to Harrell’s own writing and arranging. Some reissues and publicity about Contemporary recordings therefore use the name Fantasy or Concord.) Recording sessions of the Phil Woods and George Robert Quintets, and of Harrell as leader on Contemporary
The Fantasy catalog was sold in turn to Concord Records in 2004. (Note: Contemporary Records was bought by Fantasy Records in 1984, which continued for a while to use the name Contemporary. Two of these preceded the final Phil Woods Quintet album ( Flash, April 1989): Stories (January, 1988) and Sail Away (March, 1989). After Contemporary/GPR Productions’ Sun Dance with George Robert, Harrell made three important albums with Contemporary as leader, all produced by Bill Goodwin. bg-primary.bg-primary-after:after.bg-primary-before:before.My Trip continues, as Tom Harrell spreads his wings Contemporary – Harrell as LeaderĪs we reported earlier, Tom Harrell’s contract with Contemporary Records straddled his departure from the Woods Quintet. Carla Bley partituras, tablaturas y lead sheets | Jellynote.
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